When:
December 5th, 2025, 09:00 AM PST
As part of its ongoing webinar series, ACM SIGGRAPH hosted “The Fashion Panel” bringing together leading innovators to explore the evolving intersection of fashion, technology, and digital product creation. The session featured a distinguished group of experts who shared insights into digital apparel workflows, virtual sampling, and emerging approaches to creative expression. Through engaging discussion and industry perspectives, the panel examined the technologies and trends shaping the future of fashion design and production.
This webinar offers attendees rare insight into the tools, techniques, and creative strategies powering next-generation fashion development.
Angela Holm
Angela Holm is a Senior 3D Technical Designer with over 18 years of experience in fashion, apparel construction, and digital product creation. Beginning her career as a traditional technical designer and patternmaker, she later transitioned into 3D apparel, where she now leads asset creation, Hardware development, and workflow standardization for Fortune Swimwear’s global brands.
Angela specializes in Browzwear-based evelopment, process optimization, and team training, helping bridge the gap between physical garment knowledge and emerging digital design tools. Her work demonstrates how graphic and 3D skills create impactful careers far beyond film and entertainment, particularly within the fashion industry’s shift toward digital pipelines, visualization, and virtual product development.
Afsha Iragorri
Afsha Iragorri is a 3D technical design expert with more than 8 years of experience working in the fashion industry. She gained extensive knowledge in garment fit and patternmaking through her work with technical design teams at companies such as Coldwater Creek and Ralph Lauren. She spent almost two years working as a 3D tech designer for Calvin Klein, where she advised internal teams on best practices when working with the Browzwear VStitcher software and helped establish their 3D standards for their vendor teams. In 2021, Afsha earned a master’s degree in Fashion Management from IED Madrid and founded 3D Fashion Solutions, a company that assists individuals and brands in transitioning to DPC. Beyond her professional expertise, Afsha is deeply passionate about the storytelling side of digital fashion. In her free time, she experiments with pushing the boundaries of emerging technology, blending creativity with technical skill to hone her craft and explore new forms of artistic expression.
Astrid Hanenkamp
Astrid Hanenkamp is a 3D and 2D fashion designer with over 20 years of experience in women’s and men’s apparel, specializing in knitwear, sweaters, cut & sew, soft wovens, and performance wear. Her work bridges traditional craftsmanship and digital innovation, using tools like Browzwear, Style3D, and Blender to create sustainable, cost-effective virtual samples and phygital fashion experiences. Blending innovation with tradition, Astrid designs hybrid garments defined by dynamic layering, transformable structures, and bold color compositions—redefining classic silhouettes with a modern, expressive edge.
Rachel Arnsdorf
From a young age, Rachel Arnsdorf was fascinated by how clothing became a part of our identity, how it affects the way we move and feel. She quickly taught herself to sew so she could empower all of her stuffed animals to express themselves.
At some point, she began making clothes for humans too, and a few years later decided to study costume design at the University of Michigan.
Rachel then spent the next fifteen years building a career in fashion as a patternmaker & tech designer, focusing on USA-made apparel. She worked for Abercrombie & Fitch, Eileen Fisher & Patagonia, in addition to some USA-based apparel factories. When COVID hit and Rachel was struggling to do her patternmaking work without a mannequin, she dove head-first into CLO3D and discovered the joy of getting instant feedback on pattern corrections by doing digital fittings.
Rachel now works for Vera Bradley Inc as a Digital Product Curator – meaning, if 3D is involved, so is she! She uses 3D tools to help improve fit, grading, reduce samples needed, get quicker approvals, improve internal communication and provide accurate, 3D renders for B2B sale pitches.